或
映像作品（作曲担当）、2021年
「働き蟻」の象徴としてリクルート スーツの人間は、映像内で蟻と対比される。
後半、蟻は見えない手によって標本化 され、人間によって踏みつぶされる。
楽曲は、人間にチェロ、蟻にヴァイオリンをあて、
反復されるいくつかの音型と その移ろいによって場面転換を試みた。
Ari
Video work (in charge of composition), 2021
A human in a recruit suit, symbolizing "worker ants," is contrasted with the ants in the video.
In the latter half, the ants are specimenized by an invisible hand and crushed by the human.
Video work (in charge of composition), 2021
A human in a recruit suit, symbolizing "worker ants," is contrasted with the ants in the video.
In the latter half, the ants are specimenized by an invisible hand and crushed by the human.
The music is composed by a cello for the human and a violin for the ants, and attempts to change the scene through the repetition of several sound patterns and their transitions.
幻灯
上演作品、2021年
既存の映画を断片化し、
原型と異なる物語を生み出す。
映画の音声を素材とした楽曲は
映像と協奏する。
原型と異なる物語を生み出す。
映画の音声を素材とした楽曲は
映像と協奏する。
存在したものは
存在しないものへ転換され、
映像の外で鳴り響く音は
映像の中へ溶けていく。
存在しないものへ転換され、
映像の外で鳴り響く音は
映像の中へ溶けていく。
既知と未知の境界は次第に薄れる。
Phantom Lamp
Performed works, 2021
Performed works, 2021
Fragmenting existing films,
and create a story that differs from the original.
The music, which is based on the sound of the film, plays in concert with the images.
concerto with the images.
What existed
into something that does not exist,
The sound that echoes outside of the image
dissolves into the image.
The boundary between the known and the unknown gradually fades.
and create a story that differs from the original.
The music, which is based on the sound of the film, plays in concert with the images.
concerto with the images.
What existed
into something that does not exist,
The sound that echoes outside of the image
dissolves into the image.
The boundary between the known and the unknown gradually fades.
